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Jackie's newest 'Great Performances' concert brings classical sound to familiar movie themes. Young Jackie Evancho went to the fabled Orpheum Theatre in Los Angeles last night and sang music from the movies as she recorded her second live concert. The sense of spectacle was just as evident at the Orpheum as it was for her first PBS special a little over a year ago at The John and Mable Ringling Museum of Art in Sarasota, Fla. Evident too was the classical crossover genre that marks her vocal style. The difference was that the music at the Orpheum sounded more modern in its themes.

The audience was markedly younger than the crowds who have been filling concert halls across the country the past year for her symphonic tour. Notably younger too were the musicians making up the 26-piece orchestra, led by award-winning composer and arranger William Ross.

Jackie's second PBS special is scheduled to be released in August and will be broadcast by affiliate stations around the country for their fund drives. Last year’s 'Dream With Me In Concert became one of the most viewed specials in the 38-year-history of the Great Performances series. It raised record amounts of money for PBS stations.

Songs from last night’s “Music of the Movies” concert will also form the core of Jackie’s next full-length album, which is expected out this fall. The official album title has not yet been announced.

The mood and pacing last night were different from a normal concert. Stage manager David Wader, who has managed Academy Awards shows and other major productions, called for Jackie and the orchestra to stop, start and sometimes repeat certain songs according to directions he received from unseen producers and editors who reviewed taped footage as the evening progressed.

The Richland Township star remained ebullient throughout the two hours and 45 minutes of the recording session. While waiting for signals from Wader, she kept the audience charmed with what have become her trademark gestures of hand waves, smiles and sometimes giggles.

In a little less than two years, Jackie has gone from a 10-year-old kid from Pittsburgh who was the runner-up on America’s Got Talent to an ascendant international superstar. She has now released four albums that have sold more than 2 million copies, performed twice for President Obama, appeared twice in concert in Japan, sung twice in Canada, once in England and next week will take her powerful, lyrical soprano voice to Russia where she will help open the in Palace Square.

She sang 12 movie-themed songs at the Orpheum, including “Come What May” from the film, Moulin Rouge with her guest stars, the Canadian Tenors.

She brought out another guest to sing “I See the Light” from the Disney film, Tangled, as a duet. She had a lot of time to practice with this partner because it was her 14-year-old brother, Jacob. Last January, they sang a capella together at a concert in Indio, Calif. Brother Jacob turns out to have a resonant voice and excellent pitch. Singing with his sister and a top-flight orchestra, he turned in a crowd-pleasing performance.

The Orpheum Theatre opened in 1926; stars appearing there have included Charlie Chaplin, Jack Benny, Ella Fitzgerald and Stevie Wonder. It is where Judy Garland began her career in 1933.

An enormous hall with ornate carvings in a golden hue, the theater last night saw its stage dressed with simple columns and curtains rising several stories against a backdrop of an inky black sky and bright stars.

The set was simple yet elegant, and lighting created many different moods. A low circular dais, maybe two feet high and about 10 feet across, was the stage within the stage for Jackie’s songs. She sang them all with a hand-held mic.

She wore three different dresses throughout the night in pastel hues of gold, blue and rose, with matching shoes and modest-sized heels. Singing “The Music of the Night” from Phantom of the Opera, she evoked the phantom by appearing in a black tux jacket with pink piping and close-fitted black trousers and black wedge shoes.

“Music of the Movies” seems not so much a departure from the classical crossover style so prevalent in Dream With Me as an effort to evolve from that album’s emphasis on arias in other languages to more familiar melodies. All but one are in English and may appeal to younger audiences.

In its simplest definition, classical crossover finds ways to make classical music more popular and popular music more classical. The genre suits the sonorous timbre, soaring range and astounding power of Jackie’s voice. And it is a genre suited to evoking moods in films.

Ever since European classical musicians began putting music to films starting in the 1930s, the movie theater has been the one place where Americans have heard classical crossover usic, even if they didn’t know what to call it.

“Jackie is singer who is making classical music popular. You don’t see other American artists doing that, and she is only 12,” said one concert-goer last night. Producer David Foster, with 16 Grammies to his credit, produced 'Dream With Me' with his well-known wall-of-sound effect—a symphony orchestra of 40 musicians or so who were furnished with lush arrangements.

He anchored the Dream With Me concert with elaborate sets, a virtuoso pianist for one number, original lyrics for another piece by Lara Fabian, and the pairing of Jackie with Barbra Streisand and Scottish classical crossover artist Susan Boyle. These trappings are gone in Jackie’s latest musical venture. The new arrangements remain posh, and an outstanding violinist and trumpeter take center stage with Jackie on two different numbers.

But executive producer and director David Horn, co-producer Umberto Gatica and conductor/arranger Ross seem to be saying that the little girl from Richland Township has graduated to a place where her voice and interpretive skills can capture an audience on their own now.

They may also be wondering whether the evolution toward more familiar music will find its way onto the radio. For much of the country, Jackie remains the most famous singer they have never heard because American radio slices and dices music by genre, then assigns advertising accordingly.